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blogging creativity writing

Silences

January 29, 2012

It’s been a long time since I wrote here. I reached a 12 month milestone, celebrated it and then not long after, for some reason I cannot fathom, stopped cold dead, suddenly and completely silent.

What happened? Work took over my life in the main; a very busy and demanding work role, things to solve that could not be satiated, consuming the creative part of me. At night and on weekends, there was little left. It was definitely hard to create in this space. Some poor life choices too, like too much television, but sometimes it was all I could do. The reading, writing part of me I treasure so much languished sadly in this interchange.

This blog as for many, is a tool to keep me writing. In the post celebrating the first anniversary of ‘Transcending’, I spoke about my sense of achievement in keeping at it, ‘writing, researching, tuning in and reading others’, the value of writing, the process and the product. When I look back and read that post, it celebrates so much that is central to me, then comes to that screaming halt, one more post later and 180 days ago.

So time to transcend the silence, move on. It will take some doing; the work role remains insistent. I’ve reached for Tillie Olsen’s ‘Silences’ to help interpret it all. But in the end,  I can spend more time analysing the politics of it, reading about it, trying to understand the reasons for stalling but maybe it is best just to accept it happened for circumstantial reasons and move beyond.

As Anne Lamott exorts us in her article, ‘Time Lost and Found‘, it is really most likely to be an issue of choices, priorities and time management.

I’ve heard it said that every day you need half an hour of quiet time for yourself, or your Self, unless you’re incredibly busy and stressed, in which case you need an hour. I promise you, it is there. Fight tooth and nail to find time, to make it. It is our true wealth, this moment, this hour, this day.

I’m reading Kate Grenville’s ‘Searching for the Secret River‘ and am reminded through that journey of Kate’s writing experiences of the need for stealth and commitment.  Kate uses a whole arsenal of mantras to keep herself writing: ‘never have a blank page,’ ‘don’t wait for the mood’, ‘fix it up later’ and ‘don’t wait for time to write’. She further writes:

I learned to work in whatever slivers of time the day might give me – one of my favourite scenes in ‘Joan Makes History‘ was written in the car waiting to pick up Tom from a birthday party, on the only paper I could find, the inside of a flattened Panadol packet. I had slivers of time, so I wrote in slivers of words: a page here, a paragraph there. Eventually the slivers would add to something. (p145)

It really is so important, as Chris Guillebeau reminds us, to start with what you have, not wait for more and generally just to keep moving. So I begin again here and elsewhere, in slivers of words, in slivers of time, to counteract the silence of the blank page, moving on.

blogging creativity

Angel and muse

April 22, 2011

You wonder about all the time you spend online sometimes, where it’s heading, where it’s taking you. Where all the twitter followers might take you, how you can ever read all the valued work of the people you follow; for me: the writers, readers, bloggers, family historians, cancer researchers, vintage lovers, photographers, artists, entrepreneurs, creatives and other ‘out theres’ paving a blazing way.

You wonder how you might ever keep up with all the blogs you love and subscribe to, clumsily it seems, through a series of readers that overwhelm you. You wonder how you will capture the essence of each crafted voice and message you admire or learn from and how you will apply them to your own journey.

And then you lie here in the middle of the night in hospital after an operation, full of painkillers and strange emotions, and receive the most blessed message from a fellow traveller, more a leader and teacher, met through your various journeys in your online world.

In this case, it’s from Susannah Conway, angel and muse to me and many, as we are in the middle of engaging in our Unravelling 2 e-course journey. In the midst of pain, the message about ‘Stories’ and what we will be thinking through and working on this week hits a poignant space, the tears start but it also makes my heart soar and immediately celebrate possibilities. And I start writing again, if here, full of painkillers in the middle of the night.

That’s why I twitter, blog,  flickr, read blogs, subscribe to Susannah Conway, Colleen Wainwright, Chris Guillebeau, Danielle LaPorte, Sage Cohen, Shanna Germain, Jonathan Fields and Joanna Penn. Why I love the creative inventions and reinventions I find on etsy and in delish and love reading about people dealing with fear and challenges in fearless.  Why I engage with these very special people and their products, read their work and their reviews, listen to their podcasts, follow their entrepreneurship, their stories, their journeys, buy their books, join their online classes and apply the thoughts, processes and aspirations to myself as I journey on.

It all leads to engaging with like others and knowing what real stories I can tell, what my role as angel and muse in an online space might be, finding the unique transcendent voice that might articulate the story or experience that others might learn from, add to or grow from, imperfect and flawed as it is, a reaching to a sacred creative place.

Postscript:

No dramas with the op – I am fine and recovering and it’s nothing major!

If you do have a recommendation for an RSS reader that doesn’t overwhelm or any other strategies for dealing with all the blogs you come across and want to keep up with, I would heartily appreciate any tips!

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creativity poetry writing

Gems #14 Writing Poetry

March 26, 2011

 Some gems on writing poetry whether you are just getting started or an old hand needing inspiration and direction…

Writing the Life Poetic: An invitation to read and write poetry – Sage Cohen

Poetry is often seen as a rarefied art on the fringes of life; even when you are a poet yourself, you can feel like this. Sage Cohen’s Writing the Life Poetic takes poetry from any pedestal it might have ended up on, and brings it firmly back into the central context of your life. The book is beautifully written and gorgeous to hold, with quirky graphics through-out. It feels like you are being taken by the hand and gently led back to the heart of poetry and its rightful place for you. As Sage points out in the introduction:

Poetry gives us an opportunity to experience our lives twice. First, as it happens, in real time. And second, in heart time. The poem gives us a kind of cosmic canvas to savour a moment, make sense of it, put a little frame around it, and digest our experience more completely.

Especially for people who love poetry and might have lost it somewhere along the way, Writing the Life Poetic helps you discover or rediscover the power of poetry, its place in everyday life and how to engage practically with this creative space. The book is full of advice such as starting where you are, showing versus telling, working with the senses, using imagery, reading poetry, understanding how stanzas work, revision, writing rituals, creating a system for poetry practice and so much more. Each chapter is short and focused with  exercises to practically apply the skills and concepts discussed.  It’s like a sensitive guidebook to take you through a deep engagement with poetry from wherever you are starting or recommencing your journey.

Writing Personal Poetry: Creating poems from your life experiences – Sheila Bender

I found this brilliant book in my local library and then had to have it so I could read it more fully and over time. The introduction ‘Poetry is always a good idea’ had me saying, ‘Yes, yes!’ as I read through. Sheila quotes poet Louise Gluck saying that:

writing a poem begins with a haunting, as if the finished poem already exists somewhere. In this way…the poem is like a lighthouse, “except that, as one swims toward it, it backs away.”

Coming from a similar space as Sage Cohen, Sheila Bender situates poetry in the context of daily life, commenting that poets also ‘cook, clean and take out the garbage..’ and then identifies how finding that writing about the ‘lighthouse-that-already-is’ can be part of this daily life.

Sheila’s focus is personal poetry, why we write it, how to empower yourself to write, acknowledging your poetic intelligence, getting the confidence to start, the value of reading poetry, tools for writing poetry and the poet’s stance. There are some excellent poems in progress included in this book from Sheila’s students’ work. They show how a poem progresses from an idea to a draft to a revision to a fully realised piece of work. I loved these students’ poems and what they showed about the progress and realisation of their art. There is much to be learnt from this book: especially heart for the journey and specific processes and techniques for writing personal poetry.

Creating Poetry – John Drury

Creating Poetry  is a little more technical in approach and this a useful complement to the above two books. It’s an accessible introduction to poetic terms like metaphor, assonance, simile, alliteration, rhyme and enjambement. These terms are explained with clear examples. The book also provides an excellent summary of poetic forms and rhyming patterns: ghazal, haiku, pantoum, sestina, villanelle and sonnet, for example, again clearly set out and explained.

The book takes you through the stages of preparation, language, the senses, shaping, patterns and traditions, voice, sources of inspiration and the revising and finishing processes. Full of practical exercises that help you engage as you read, the book is an accessible reference for the more technical side of writing poetry.

All three of these books have a central place on my poetry writing bookshelf and are heavily underlined. They are guidebooks I visit regularly to help me orient my poetic journey, to keep me moving positively ahead and to ensure I have courage and skills for the writing process.

What are your recommended guidebooks for writing poetry?

Image by alexschwab  from flickr and used under a Creative Commons license with thanks: One poem of thousands located on the longest poetry wall in the world in Changde, Hunan Province, China.

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blogging creativity planning & productivity writing

The Productive Writer: Review

March 13, 2011

Two of my favourite topics are ‘Writing’ and ‘Productivity’ and the planning linked to bringing successful outcomes about. So Sage Cohen’s latest book, ‘The Productive Writer’ is perfectly attuned to my interests and priorities and I’m sure relevant to other writers interested in making the most of their time and creative efforts.

It’s eminently practical and full of tips for anyone interested in being more organised and able to produce outcomes, especially words framed in a meaningful way to make an impact. It’s relevant to all kinds of writing: poetry, fiction, business writing, non-fiction, blogs and freelance approaches. Ultimately it’s about the place of that writing in the context of your life and how to make all this work.

Sage’s key platform is that productivity is a ‘lifestyle choice’ as she outlines in the introduction:

Productivity, then, is your own, personal GPS as you navigate the endless windernesses of your mind, craft, or subject matter and bring the best of what you have to offer to the page – and the world. Productivity is a means of witnessing and steering yourself toward your greatest good and training yourself to weed out the interference along the way.

‘The Productive Writer’ then navigates its own GPS through these wide waters to cut a swathe of practical advice to assist writers to be as productive as they can in every facet of their work. The weave of the book traverses critical themes you can hang onto as signposts for your own journey. These include:

  • building a case for your future as a writer
  • studying your heroes and how they work
  • establishing a platform or organising principle for your work
  • thinking productively & capturing ideas
  • goal-setting and organisational tips
  • managing time and procrastination tendencies
  • revising tips
  • publishing and promoting
  • sustaining relationships around your work
  • celebrating your success

I especially loved Chapter 12, ‘Writing in the Margins of a Full-time Life’ that reminded me that I am not the only one working full-time and trying to write; that it’s not just about balancing work and writing – it’s about balancing life and writing; and the value of my day job to my writing life and the need to remember to acknowledge the skills I learn there. As Sage comments in the context of her own diverse mix of writing commitments:

Each skill I acquire in service to someone else’s goals becomes a part of my own toolbox.’ (p115)

Sage, as her name suggests, is a very wise writer. This book, linked in with her new platform ‘The Path of Possibility’, brings writing and productivity together in a way that amplifies both and clearly sets them in the context of a broader creative life. Like Sage’s previous book, the wonderful ‘Writing the Life Poetic’, ‘The Productive Writer’ has the effect of taking you by the hand and encouraging you, gently and practically, every step of the way from vision to fruition. Committing to writing is not an easy task and we all need all the support and advice we can get to overcome resistance, barriers and excuses. Sage’s book demonstrates that:

…when we see that there are endless ways to establish and sustain a productive writing life – at any age, in any work-family circumstance – we may have an easier time trusting that we will find our own way forward.’

As you can see from the recent gaps here, for a number of reasons, I am having my own struggles with balancing writing in my life. Thankfully, in the meantime, I have also been reading ‘The Productive Writer’. Whilst struggling with the immediate application at present, the ideas contained there will become a critical part of reorienting my own GPS in moving forward to achieve my writing goals.

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creativity planning & productivity transcending writing

About stillness

February 13, 2011

While I have been doing my annual review of 2010 and goal setting for 2011 (and yes I do know it’s the middle of February already!), I have been thinking about my theme and word for this year.

It has become a popular concept to have a word for the year. I like the idea of having a word to focus you, direct you and power you, offering the opportunity of a clearly identified source of strength.

Here are some writers and thinkers employing and celebrating the word of the year in their lives and work:

  • Sage Cohen wrote on this issue on her new site, the Path of Possibility, especially in relation to being a productive writer. Sage’s word of the year is grace.
  • Shanna Germain’s piece on her word of the year and how its various meanings might play out in 2011 is so full of energy. Shanna’s word is the very powerful prime.
  •  Ali Edwards has been writing about the power of One Little Word since 2007. She has a One Little Word online workshop where you can learn more about the power of working with the one word concept.  Ali’s word of the year is light.
  • Christine Kane has a Word of the Year worksheet tool which provides a framework for working through your words and your goals.

I have been reflecting on my word and waiting for it. It came suddenly and perfectly whole one day in January. The word is stillness.

This word is about all aspects of my life and especially how I source my strength. I am highly intuitive and introspective according to the Myer Briggs Inventory.  I spend most of my days in constant contact with people at work; often very extraverted people, full of energy and ideas. I am keen to be more aware of how to be still, to listen, to charge my batteries and to be calm and to make a difference wherever I am.

Some definitions of stillness include:

  • tranquil silence
  • state of being quiet or calm
  • the absence of sound
  • calmness without winds
  • a state of no motion of movement
  • motionlessness, immobility, remaining in place

Here are some examples of what stillness means to me:

  • choosing to close the door a little more to write and reflect
  • listening to others and learning
  • creating the space to enable people to come to their own solutions
  • asking the right questions at the right time
  • being early instead of rushing, being late or just on time
  • resisting a sense of urgency to solve everything now
  • being comfortable with a phase of muddle and overwhelm
  • finding the right way to focus a difficult or unproductive team or meeting
  • taking the time to consult and map a complex problem to get to the heart of it
  • keeping things simple and not over-complicating
  • knowing and allowing the space and conditions for creativity
  • a candle burning steadily
  • a walk on the beach and standing in a cool pool of water

Stillness is not always a complete absence of movement; it’s more the calm that will power the right moves and provide the time for reflection for myself and others. I am finding much strength in that ‘one little word’. As Ali Edwards says:

It can be the ripple in the pond that changes everything.

There is a sense of ‘stillness’ being absolutely the right word to navigate myself and consequently others. Through a sense of ease and calm, it seems more likely that desired goals like creative process, business success, teamwork and balance will be achieved.

And via @DennyCoates on twitter, comes a perfect quote from D H Lawrence:

“One’s action ought to come out of an achieved stillness: not to be a mere rushing on.”

Perfect. What word is working for you in 2011?

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creativity planning & productivity writing

Gems #13 Time to write

January 30, 2011

I’m working on my annual review at present, reviewing 2010 and setting priorities for 2011. A consistent theme for me is about finding time to write. I work full-time in a very busy leadership role in the vocational education sector. I am passionate about my work and making a difference. At the same time, I am committed to creativity, writing and my personal goals. Making the time and space to write is a constant challenge.

Here are some gems I’ve come across recently, and in the past, about making time to write and basically getting on with it.

Anne Lamott’s article, Time Lost and Found, hit me pretty hard mainly because it rang so true. It’s about priorities in life, what matters and how we fritter away time and miss the important things. Her main message is that you need to make time for writing and other priorities and that this time can be found by having a good look at how you live. Twitter and other social media, television, cleaning, work and the gym are mentioned as areas where we might be losing time that we could allocate to our creative priorities such as writing. Anne says, in essence, that we do have this precious time and we can find it, though it might take some work to recover:

I’ve heard it said that every day you need half an hour of quiet time for yourself, or your Self, unless you’re incredibly busy and stressed, in which case you need an hour. I promise you, it is there. Fight tooth and nail to find time, to make it. It is our true wealth, this moment, this hour, this day.

An excellent article in last weekend’s Sydney Morning Herald Spectrum (January 22-23) by Australian author and teacher, Sue Woolfe, encourages us just to get on with it. Unfortunately, I couldn’t find the article online anywhere to link to but I can share the main points. Entitled,  ‘Don’t think about it – just keep scribbling’, Sue says that the way you need to work to write a novel is:

…to find a way of thinking that is mocked in our culture but that is all in the day’s work for artists, composers and writers.

This is a way based on discipline: reading fiction for an hour a day; writing for at least an hour a day; not rereading, editing or formulating and not sticking to a subject, character or plot when first writing. The whole focus is the discipline of writing and then later imposing other aspects such as narrative technique, plot structure and editing. In summary:

The whole endeavour is to lose self-consciousness.

However, it starts with those two fundamental ingredients: read fiction for an hour a day and write for at least an hour a day. Linking back to Anne Lamott’s article, the trick is to find this time by managing your priorities.

Some of my favourite practical articles on making time to write are by Australian blogger and author, Joanna Penn. Joanna lives and breathes this way of working and writing to come up with real outcomes such as completing her first novel, Pentecost and receiving a strong following and awards for her highly successful blog, The Creative Penn.

Joanna’s two posts: ‘On efficiency or how to get everything done as a multi-tasking writer,’ and ‘What will you give up to write your book?’ are perfect reads on the issue of writing and time and are grounded in practicality. Joanna’s tips include getting rid of the TV, sleeping less, maximising travel time, being organised and investing in education. Setting clear goals and priorities and ‘loving the process’ are also right up there as key motivators. 

As in Anne Lamott’s article, the emphasis is on the value of the outcomes spent on writing and other creative activities vs spending too much watching TV and engaging in an uncontrolled way with social media such as twitter. And as in Sue Woolfe’s article, the discipline to carry it all through is critical.

Now it’s back to my annual review with these valuable thoughts in mind. How are you making time to write this year?

Image, Time disappears by jtravism  from flickr and used under a Creative Commons license with thanks

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