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transcending

transcending

Lost in transition

September 15, 2010

On the 18th floor of a hotel in another city and there is a huge window looking out. It is like ‘Lost in Translation’, that wonderful film with Bill Murray and Scarlett Johansson, where as two people adrift, they spend a strange interlude in Japan, with much time spent looking out over the lights of the city from the hotel.

This hotel has peaceful zen-like music playing on the television when you arrive. The desk here is well-positioned so you can write and look out. It’s all beech and linen and grey and light timber tones with a large brown vase illuminated here above me. ‘Lost in Translation’ is a perfect metaphor for this state.

How I need silence, absence, space and a place to breathe and write. If ‘lost in translation’ is about being a little stuck in a world you can’t quite be fluent in, then that captures it.

Or am I lost in transition? There is another language I wish to write in, another world I wish to capture. It is about this space, these colours, this window, and speaks of more through some deep breathing in of silence and space. Oxygen, stars, dark night, and a stream of steady cars that line a highway heading east.

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Power out, power up

September 5, 2010

Wild weather and the power’s out here in town this morning. The lack of being able to do anything – make coffee, cook breakfast, wash clothes – reflects how I feel here in ‘Transcending’ at the moment.

I know the lights will go on again and the charge will surge through, but all is strangely flat and without spark after what felt like a strong start in a new space here. So, to regroup.

I wrote about ‘The Value of Howling into the Wind’ early on and the value of writing and getting out there and moving, even if it seemed no-one was watching or reading. My last post was about getting to back to basics on ‘Transcending’, the word, the concept and what it means to me.

‘Transcending’ defines the connection of so much and is my modus operandi: my work life, my personal life, my creative life and the need to cut through, strategise, climb across and rise above.

The tools for me:

writing, poetry

family history

strategy, planning and goal-setting

creative connection and reading

music and the right song at the right time

the words of songs

a perfect image that sings with how I feel

symbols, associations, metaphors

story, narrative

time alone

a walk on the beach

connecting fully with another

the synergy of good conversation

twitter and reading and connecting via blogs

What’s not working for me:

difficulty in finding time to write

no time to myself

no time to plan next steps here

The ‘no time’ business is not something I normally say; I know no-one will give me any more time. I am with Chris Guillebeau when he says in a recent post: 

My strategic plan is: say yes to everything.  The tactic is: get up early and stay up late.

I said to myself a while ago ‘no more either/or’ after reading Danielle LaPorte’s great post on the suck factor of life balance. No more waiting till you get time for writing; no more thinking about waiting till you retire or get some leave, write now.  But it is a fact that my time is squeezed at present and the special time for recharge is what is scarce.

So a resettling now of finding this precious time to recharge, to climb across and transcend, to find the power source. Being an introvert who spends all day with people, it will be powering up through this room, this space, this candle, that cafe, that beach, that song and this white page I can find a space in to shine through.

Send some encouraging thoughts and tell me what you need to do to power up. It might help spark some quiet action here…and maybe elsewhere.

Image, Candle by Nick Merzetti from flickr and used under a Creative Commons license with thanks

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Thinking about transcending

August 29, 2010

  

Back to base. Thinking about ‘transcending’, the word, what it means, what it means to me.

Checking out the Merriam Webster online  on ‘Transcending’ yields up:

‘transcend

transitive verb:

1 a: to rise above or go beyond the limits of  b: to triumph over the negative or restrictive aspects of: OVERCOME
2: to outstrip or outdo in some attribute, quality or power
intransitive verb: to rise above or extend notably beyond ordinary limits

Examples of transcend:

1 music that transcends cultural boundaries
2 She was able to transcend her own suffering and help others
3 Her concerns transcended local issues

Origin of transcend:

Middle English: from Latin, transcendere – to climb across; transcend, from trans, and scandere, to climb
First known use: 14th Century
 
Related to transcend:
Synonyms: beat, better, eclipse, exceed, excel, outclass, outdistance, outgun, outmatch, outshine, outstrip, overtop, top, tower (over), surpass’

The words that resonate with me: to rise above, go beyond the limits of, triumph over the negative or restrictive aspects of, extend beyond ordinary limits, to climb across, eclipse, exceed, surpass and outgun. They suggest a strength of spirit, resilience, creativity and ability to find a source of power to go that extra dimension.

This for me relates to managing grief, pain and difficulty; finding solutions in the workplace; taking a creative approach instead of an old one; finding a fresh perspective;  being able to find ways of managing and climbing across obstruction or restriction; ways such as:

  • writing: poetry especially, but any writing that helps you understand and cut through – letters, emails, journals, blog posts, essays, long cathartic dumps of free-writing, submissions that clarify and come up with a strategy and creative solution to a problem
  • reading the right book: whatever it is – fiction to escape, non-fiction to understand, learn how to or make sense of; either form to learn about life, yourself, writing and another’s world
  •  listening to the perfect music for the moment, again whatever it is and thank goodness for ipods and other portable music sources that enable us to find the right song for the moment and play it now.
  • images and photography: creating an image that captures where you are, seeing an image that another has captured that echoes the world for you just now, wishing you had a camera for that image you have to capture in your mind’s eye to carry with you as the cameo of your current state of being
  • family and family history: past, present and future, those you have loved and lost and cherish, those you can see and hold and hang onto and connect with, those you have never met that mean so much to you somehow through your lineage because they are part of you
  • friends: people you chime with that become part of you through some serendipity or synchronicity of meeting – in the workplace, online, through your family, through your various interests in the world.
  • blogging to find a way through and beyond, to communicate and share this vision, to appreciate the unique visions of others and how this might inform and shape your own.

Hence my themes, categories and tags here in this special space.

The words that don’t resonate with me are the ones mostly about out-doing somebody else. ‘Transcending’  for me is not a comparison or a competition; it’s a personal journey of finding the extraordinary, the extra-special, the extra-creative way of managing and living positively and the difference this can make.

It’s become an intuitive personal mantra, my theme and centre, honed from experience but always developing into the future. I welcome you to join in the journey of exploring more about transcending, how the ‘ climbing across’ might be negotiated and the difference it could make. I welcome your thoughts here. 

‘The brighter the light, the darker the shadow.
Some things can’t be changed; they’re part of the show.’
Stephen Cummings – ‘The Brighter the Light’
Good Bones (Liberation Blues Acoustic Series)
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I contain multitudes

August 14, 2010

I have been thinking more on the issue of brevity vs the longer post this week. I wrote recently in ‘Shorter posts, smaller steps’ about the value of working in smaller chunks for blogs, other writing and for managing many things in life.

Then very shortly after, via twitter, I read a recent post of Jonathan Morrow on Copyblogger, advocating for quality, not quantity, in ‘The  Three-Step Guide to Getting More Traffic by Writing Less‘  and recommending that one strong post a week will work better, drive more traffic and be less onerous than more regular posting: ‘There’s no set number, but here’s a suggestion: start with one really good post per week, and if you have time, work your way up.’

This seemed to totally contradict what I had just read from John Sherry in his guest post, Why bite size is the right size content’ at Virgin Blogger Notes and what I’d written about. But I believe what Jonathan Morrow wrote also and I can see the sense in one well crafted post a week. They both make sense – how to reconcile?

Like all things, it’s clearly not ‘a one size fits all’ story. After I wrote my post on the value of shorter posts, I reflected on a longer post I had read and loved recently: Your Own Revolution: Poetry, Publishing and the Internet. This was more like an essay, fully developed, and I thought that there has to be a place for the longer, reflective thought piece in all this. Sometimes I love to write like that and love to read work like that and have something very deep and solid to take away. But does a post have to be long to be deep and solid? Which is better?

To help me makes sense of all this, John Sherry who wrote the original post on ‘bite size chunks’ chimes in on the comments to Jonathan Morrow’s post saying:

‘Good, sensible advice Jonathan. Slow and sure to start, building it up as you go. It’s easy to compare with top blogs and bloggers with their active presence and high subscriber numbers but best to first get a firm foundation. Get blogging at a pace that’s comfortable and then reach out a bit and connect to the wider blogging community is a wise suggestion.’

This is a lead and taking a little further the analogy of driving from E L Doctorow’s image from ‘Bird by Bird’ discussed in ‘Shorter posts, smaller steps’: We need to have the driver’s skill-set for all occasions and conditions. Sometimes, we might choose to drive in short bursts with frequent stops; other times it might be a longer haul, perhaps getting to the destination quickly or other times, meandering and enjoying the view. Having all these tools in a blog writer’s repertoire means we can write as required and as we feel for the topic, the timeframes and our focus at the time. And for maximum reader impact.

Like I wrote about in Planning to be fluid,’ you need to have a strategy, a roadmap, to guide the changes in your driving and your itinerary, keeping in mind the conditions. But it’s also great to be adaptable, diverse and fluid. One of my favourite quotes is Walt Whitman’s lines from ‘A Song of Myself’:

‘ Do I contradict myself? Very well, then I contradict myself, I am large, I contain multitudes.’

SOME people out there are posting hardly any words at all. Led by Susannah Conway, an ever-growing team of bloggers are having a rest from words and posting only photos for the month of August. Called ‘The August Break’, bloggers all over the place are joining in – you can see some of the collective photos here on flickr.

I also love Danielle LaPorte’s posts that are only a few concentrated words. A recent one, soul equation, had me thinking all week about presence demonstrating the punchy power of a purely held thought.

For me though, I need to put a little less pressure on myself and take smaller steps just now. I need to establish a rhythm and a pattern and not get overwhelmed by volume or density. I need to settle my strategy, to calibrate and fit it with my life, and keep my content clear. The long and the short of it are all tools for the repertoire, just suggestions, and it is best not to be too prescriptive either way and to just modulate as you go. As John Sherry continues in his comment to the post of Jonathon Morrow:

‘Get to know your blog and what it’s about and let it develop organically. I have taken that route and it’s been real fun and now I’m getting right into it naturally. You want it to be enjoyable not a chore.’

Yes, I think that is exactly the point: enjoy yourself, your blog and what it’s creating in the process. And that is something I am enjoying immensely and is perhaps the true heart of the matter.

People who honestly mean to be true really contradict themselves much more rarely than those who try to be ‘consistent’.
Oliver Wendell Holmes

Image, Morocco, Marrkech, Pattern by Frank Douwes from flickr and used under a Creative Commons license with thanks

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Gems #6 Encouragement, kindness and resilience

August 9, 2010

Some recent gems shining a whole lot of light…

If you haven’t read The Manifesto of Encouragement on Danielle LaPorte’s White Hot Truth, rush over for the best injection of inspiration and encouragement you will have felt for a long time. Danielle’s initial post is pure light and genius. Then hundreds of people have added their words from their precious angle. It’s a string of pearls you can wear around your heart to protect you and make you shine. It also opens you up to what you might be missing around you or what you might aspire to. I hope one day it becomes a book I can carry with me every day.

Recently, I wrote a post about twitter and my positive experiences connecting up with like-minded people and the kindness and reciprocity I had found. I had just finished writing and posting, to then find Jean Sarauer’s post on Virgin Blogger Notes on a related theme: How to grow your blog with kindness. Jean provides a personal story and some excellent examples of how kindess and adding value in blogging and twitter can enhance the experience and outcome for all. Jean encourages us to ‘practice shifting your focus from what you want to get to what you can give’.  This post helps you appreciate how you can contribute and how ‘As the analytics of your heart show upticks in kindness, encouragement, and support, the analytics of your blog will also improve.’  The ‘Manifesto of Encouragement’ is a great example of this.

I only caught up this week with the July 11 ‘Creative Penn’ podcast interview by Joanna Penn: ‘Inspiration For Authors On Resilience, Accepting Criticism And Being An Introvert With Clare Edwards’.  It was excellent – one of the best of Joanna’s interviews I’ve listened to – probably because it chimed in around some personal keywords: resilience, introversion and writing. I loved the way Joanna opened up in this interview about her own experiences as an introvert with doing interviews and developing a speaking career. I related so much, being at the far end of the introversion spectrum and interacting with people all day, every day, in my work role, often standing up and speaking to many people. I have learnt to manage this but this interview provided more insightful tools for balancing between the inner and outer worlds. There is also a strong focus also in the interview on tips for resilience and staying present in the moment.

Three overwhelmingly positive gems to take us all forward with encouragement, kindness and resilience!

Image, Mother of Pearl by Westcoastrobin from flickr and used under a Creative Commons license with thanks

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The touch and reach of poetry

July 18, 2010

I write poetry – true confession. A rarefied art if ever there was one and you wonder why you do it, what calls you, why it defines you, this thing you are so passionate about but hardly ever talk about.

Colleen Wainwright (aka the communicatrix) in a recent post, ‘My narrow, narrow bands of interest and utility,’ discusses the search for a defining way to talk about such life passions and goals and the overwhelming drive to write that is for her a connecting thread:

To my creative intimates—the fellow strugglers in writing workshop, or elsewhere behind the scenes—I share the only thing I know for sure: that I want to write, and that I am doggedly pursuing it, placing structures where they need to be to support it, addressing what obstacles I can see that might be getting in the way of it.’

I relate very much to these words. Poetry and other writing, the urge to create, the sense of this being an underlying connective piece, the pursuing of ways to further its creation and finding the lifestyle that allows and fosters a writing life are all key themes for me. It  is not easy, especially when you have written for a long time and it has not gone very far it seems. Poetry especially can feel like a driven art with not many places to go. It’s easy for it all to go underground for a while in between other things like work and family, but it springs back up eventually. You cannot keep it down forever it seems.

This initiation into poetry started for me in an English class in my second last year of high school at the age of 16. A wonderfully inspired English teacher, Miss Furlong, chose the words of songs by Joni Mitchell, Bruce Springsteen and Harry Chapin to teach us about poetry. We listened to and studied the words of ‘People’s Parties’, ‘Twisted’ and ‘Trouble Child’ from the gorgeous album ‘Court and Spark’ and  ‘Jungleland’ and ‘Meeting Across the River’  from the explosive and gutsy ‘Born to Run’ album. We interpreted these words and we wrote our own poems.

I loved these musicians already, I was good at English, I had started scribbling words like poems already, and whether it was the combination of all this or just the right inspiration at the right time, the words came out – in response and in creation. I wrote a poem called ‘Touch the Earth’ based on an elegant book of the same name, subtitled ‘A Self-Portrait of Indian Existence’ with sepia images by Edward S Curtis and statements by North American Indians compiled by T C McLuhan. I wrote a poem of deep connection with these images and the people portrayed, forming and emerging onto paper in a surprisingly sensitive lyric piece capturing what I had been reading, seeing and feeling.

I got 30 out of 30 for my response to the poetry in song of Joni, Bruce and others and 25 out of 25 for my first full-blown poetic effort. I also received some feedback and a question: ‘I can’t fault this, Terri – your perception is startling – far beyond your years’  and ‘From where did you get your inspiration?’ I don’t know where it came from apart from the book and the connection with the words of songs I loved. I don’t know how I was able to articulate responses about relationships or other people’s experiences I had not directly experienced in any way at all.  But I found, from this writing experience, a way of accessing an inner knowing. I found a way of using the strength and music of language to interpret and understand the world as I was experiencing it. It opened my eyes to another level of feeling and thought, a latent talent, a lens of creativity I could see the world through. It was there already but the connection needed to be made and I was touched by poetry.

Sometimes you wonder where it will all go as you write, as you journey through crafting better and stronger poems and as you try to find a place for poetry internally and in the external world, such as through publication. I am heartened by Ted Kooser’s closing words in ‘The Poetry Home Repair Manual’ (p157):

‘I wish you luck with your writing, friend, and I hope that you’ll write a few poems that someone will want to show to the world by publishing them. Remember that the greatest pleasures of writing are to be found in the process itself. Enjoy paying attention to the world, relish the quiet hours at your desk, delight in the headiness of writing well and the pleasure of having done something as well as you can.’

I love these words. There is much valuable advice about crafting and publishing poetry in this wise and gentle book but I am calmed by the reminder to enjoy the touch of poetry and the moments that it brings regardless of where it eventually goes. The words of Sylvia Plath also echo the pleasure to be found in poetry and remind of the miracles of poetry reaching the people that it does touch:

Surely the greatest use of poetry is its pleasure – not its influence as religious or political propaganda.  Certain poems and lines of poetry seem as solid and miraculous to me as church altars or the coronation of queens must seem to people who revere quite different images. I am not worried that poems reach relatively few people. As it is, they go surprisingly far – among strangers, around the world, even.  Farther than the words of a classroom teacher or the prescriptions of a doctor; if they are very lucky, farther than a lifetime.”

Quoted in Charles Newman (Editor) The Art of Sylvia Plath, 1971, Indiana Uni Press p 320 – from  ‘Context’, London Magazine, no 1 February, 1962, p45-46

What are your reflections on the touch and reach of poetry?

 Image, Dreams by jecate from flickr and used under a Creative Commons license. See Dreams link for poem accompanying the photo.

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