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Planning to be fluid

June 14, 2010

I have a plan for this blog and where it’s going, and part of the plan is to be fluid but focussed. It’s open; open to intuition, influence and the flow of other thoughts. I have a sense of structure, of where it might lead. You can see this in my category headings  on the right and also in the first post explaining its raison d’etre. All this I will explain and probably understand further in time as it evolves.

The planning underpinning this involved many months of reading, writing, brainstorming, mind-mapping, researching, learning about the blogging process itself and also engaging in the experience of reading blogs and and connecting through social media. I’m still learning so much but it was all about reflecting on my key message, what I felt I had to tell and contribute and learning how to do that in practice, at least enough to begin. Then, getting the courage to start.

But it all needs to remain fluid, to be able to evolve and to take in the constantly new perspectives and thoughts from reading including those from online sources. It is an infinitely fascinating space, the online space, especially influential in how it can shape your thoughts in a positive way.

The other day, I caught up with Chris Guillebeau’s recent post, ‘Transitions‘, a very powerful and beautiful thought piece about holding onto the space of transition before moving on. He encourages focusing on the moment of transition rather than rushing to move on, be it in the sphere of work, travel, relationships or anything else…‘hold on to the moment as long as you can…’, the sheer poignancy of it and what it means.

Somehow from this, I started thinking about the space between planning and intuition. How you need to plan, schedule, have a strategy, know what success looks like, set objectives and set the measures for how you know you have arrived, but that you also need to remain open to intuition, what the stream of consciousness delivers, the post that asks to be written despite your original plan for the day, the work project that needs to be messy and possibly get worse before things can be resolved and moved on.

Allowing a space for openness and  intuition within a plan can only enrich it in the long run, as long as you know where you are heading. The plan is important to keep your overall direction intact but it’s also critical to avoid being rigid and immune to influence once you have a plan and are on your way.

For setting goals in the first place, I have found the following posts and processes useful:

Chris Guillebeau’s annual review process

Chris again and the importance of strategy vs tactics and the need for clear strategy – love the quote in this one.

Paul Myers’ ‘A simple system to achieve your goals’ – great for identifying your contacts and resources amongst other things

Carrie McCarthy and Danielle LaPorte’s book, Style Statement’, I absolutely recommend for understanding your authentic self as a tool for life choices

Shanna Germain’s  musing on goal-setting as a writer – she sets high goals for output and achieves much in the process

The communicatrix’s take on her experience with the goal setting process and what it brings up in its wake

It’s fascinating to see how all the stars who have influenced me are working on goals and strategy. It seems once the direction is set, it’s easier to engage with and reflect on the journey wherever it takes you; easier not to get lost in the important sidetracks or paths that might come up; and easier to assess if a new direction is required.

What’s your take on planning vs intuition?

Image: Fluids’s reflection, by Sergio Tudela via Flickr, used under a Creative Commons license

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Gems #2

June 9, 2010

  

I am absolutely thrilled by Susannah Conway’s announcement of her book deal. As Susannah says, ‘Here’s some proof that if you put a dream into words – and put it out there – the planets will align to help make it happen.’ 

What started as an e-course will become an ‘Unravelling’ book full of beautiful concepts, photographs, creativity, an ‘elegant journal with polaroids slipped between the pages…’ It already sounds delicious and 144 people have so far commented that they will read and buy, and buy for friends and family. And through the pages of Susannah’s blog, the opportunity to engage with the potential readership is already unfolding. Inspirational!  

I am a great lover of Australian singer songwriters. Well, any singer song writers really, but there are some special Australians I love in this genre. Stephen Cummings is right up there: singer, song-writer, poet, novelist, rock star…I love his song, ‘Fell from a great height’:

‘I fell from a great height
Scrambling with myth and light
Surrendered to a dream
That was absolutely right
I fell from a great height’

The song has such layers and  depth, continuing to evolve as you listen over time. Beautiful. The song was also a duet with Toni Childs and appeared on her compilation album, Best of Toni Childs in 1995. I especially love the acoustic version on Stephen’s album, ‘Close-ups.’ 

And finally, Sage Cohen has a gem of an opportunity for poets with ‘The Life Poetic iphone contest.’ You are invited to submit up to three, unpublished poems that you feel represent the spirit of “the life poetic” for consideration by July 4, 2010. Sage will choose her favorite 365 for inclusion in a “Life Poetic” iPhone app that features a poem a day for a year. What an enduring way to celebrate the life poetic!

Image by jmtimages,  used under a Creative Commons license.

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Balancing acts

June 6, 2010

This week has been so very busy at work; much to sort, solve and manage and all very intense. I struggled to get here at all to write after what I felt was a strong start. The balancing act of managing the ‘day’ job and creative aspirations remains a challenge for me as it does for many people.

I’m interested in how others attempt this balancing act and their commentary about this. Also how balance is perceived – work/life balance, priorities and how we can better strive to meet our personal goals.

I asked Joanna Penn from The Creative Penn about this. I have been reading her blog and listening to the podcasts about how she built her online presence, how she maintains this and how she continues to learn about social media. Also, how she is writing a novel. And then she mentioned on one of her podcasts that she has a full-time job as well – as an IT consultant to a mining company. Hallelujah, I thought, a role model – someone managing to balance creativity, the investment of time required to support this and a full-time job.

Joanna’s answer referred me to two of her posts: ‘On efficiency or how to get everything done as a multi-tasking writer,’ and ‘What will you give up to write your book?’ I found the answers fascinating and they rang true with my own thoughts. ‘Getting rid of the TV’ is right up there and confirms my own thoughts on how much time this activity can take up. Less sleep, maximising travel time, being organised, setting goals and investing in education are included in Joanna’s tips and have also featured in my attempts to achieve across a range of life goals of career and creativity.

The concept of balance is an interesting one. Joanna also says ‘love the process’, confirming some inspiring words I read recently in Ted Kooser’s wonderful ‘The Poetry Home Repair Manual’:

‘Remember that the greatest pleasure of writing are to be found in the process itself. Enjoy paying attention to the world, relish the quiet hours at your desk, delight in the headiness of writing well and the pleasure of having done something as well as you can.’

If we are always looking for balance, we may well feel we never get it right. Who’s to say any particular balancing act is right or wrong? I was buoyed by Danielle LaPorte’s joyous debunking of the concept of work life balance: in ‘the suck factor of life balance +passion as a cure to stress.’ Truly, I felt freed after reading this and decided on my own cry of intention in moving forward: ‘No more ‘either/or’….’ No more waiting for one thing to stop so I can do another; no more waiting for time or other resources which may never arrive in that perfect state. Just move ahead, focussing on what I have now. You can have a life of adventure, passion, joy of process and in a way, refuse to be balanced.

To quote from Danielle’s inspiring post:

‘When you refuse the banality of balance and go for full on life (which includes full on productivity and full on stillness,) you’ll see the inevitable mess of it all as something more beautiful and purposeful – full of peaks and valleys – an adventure. The climb can be rigorous, grueling sometimes, but the air is cleaner, and the view will blow your mind. The fruit you’ll find on your own tilted path is so much sweeter – and there’s so much more of it to share.’

So the search for balance may be just an act, an automatic response, that really doesn’t help with moving ahead much at all or worse, holds us back as we wait for a state of illusory perfection that may never come. In that sense, perhaps it’s just another form of resistance? What are your thoughts on balancing acts?

Image: Rocks balancing, by me’nthedogs’ via Flickr, used under a Creative Commons license

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Gems #1 Reading notes

May 29, 2010

Some gems shining a little light this week:

Via the communicatrix, news of a new online magazine for women called Delish. Focusing on ‘what’s real, what’s useful and what’s beautiful’, it is gorgeous, smart, savvy and multi-faceted and clearly will appeal to an audience with these same qualities. Congrats to the team – it’s sensational.

I laughed out loud this week reading the quirky hyperbole and a half and a great post on sneaky hate spirals – all about days when all the little annoyances just build up.

And a true vintage gem I love – Marion Milner’s ‘A Life Of One’s Own’ , published in 1934 under the pseudonym Joanna Field. A pioneering exploration based on her own diaries, the book is the record of a seven years’ study of living and identifying what makes her happy. From this, she provides  perceptions and suggestions that can be practised to increase focus and happiness. It concludes with a discovery about psychic bisexuality – balancing the best of both worlds from what Marion sees as our male and female orientations: the objective and the intuitive respectively. Some words from this beautifully reflective book:

My daydreams are nearly all of country cottages, of little gardens, of ‘settling down’ with flowers in vases and coloured curtains. I don’t think of backaches, dish washing.

I want to live amongst things that grow, not amongst machines. To live in a regular rhythm with sun and rain and wind and fresh air and the coming and going of the seasons. I want a few friends that I may learn to know and understand and talk to without embarrassment or doubt.

I want to write books, to see them printed and bound.

And to get clearer ideas on this great tangle of human behaviour.

To simplify my environment so that a vacillating will is kept in the ways that I love. Instead of pulled this way and that in response to the suggestion of the crowd and the line of least resistance.”

Image, Gems XII by fdecomite via Flickr, used under a Creative Commons license

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Being a work in progress

May 26, 2010

Image, La felicità – work in progress by stefozanna, via Flickr, used under a Creative Commons license.

I am reminding myself it is okay to be a work in progress: to begin, to carve and craft as I go, to collect and synthesise, to draft and revise, like forming a poem. It is worse not to begin.

With writing a poem, you capture the image, the association, the string of words that comes in the middle of the night. And from that, you start, draft, craft and revise again. Miss that spark of ignition and you might miss the critical association that could begin your poem. Then, you might hold back from developing it for fear of not achieving the illusory perfected whole poem in your mind.

In a recent inspiring post, Starting with what you have, Chris Guillebeau provides a valuable way to break the feeling of paralysis around starting something: ‘Don’t look at what you think you lack, look at what you have and find a way to make it work.’  He provides some excellent examples about how and where to start for business, writing, art and travel and they are mostly small, focussed, like a kernel, something obtainable or possible.

So I am reminding myself,  it’s okay to be a work in progress, starting with a piece, a step, a chunk, an idea and learning from there. You might need to do some planning, preparation, reading and research to guide how you start and where it leads, but make a start from that essential spark.

Take this blog, for example. I have learnt from reading and watching others and their blogs, from listening to podcasts and reading blogging experts. I have the spark of a connecting idea. I’ve worked it over time, mined it, mind-mapped it, associating and gathering ideas. But starting here each time,  there is more. I am engaging with writing, blogging, flickr, posting, comments and generally putting what I have learnt into practice. Already the connections and response have been beyond my dreams. I have talked about stars and their shining light and I feel very illuminated. Where the light goes and what it illuminates is another thing, but it’s out there, into the dark, an offering.

Not starting is about a lot of things: a desire for perfection, what Danielle LaPorte in an article in fear.less calls a fear epidemic: ‘Everyone is struggling with the same thing: ‘fear of being his or her true self’, a lack of authenticity and all this becomes a form of resistance that can develop a perfectly normal appearance that absolutely freezes you. Creative work suffers from this incredibly and can seem unnecessary or frivolous. You wonder why you would do it and undermine your own creative thoughts and plans.  

Apart from finding a small way to chunk your start and become a work in progress, Steven Pressfield, in the final words of his wonderful book about resistance ‘The War of Art’, suggests that starting is a responsibility: “Creative work is not a selfish act or a bid for attention on the part of the actor. It’s a gift to the world and every being in it. Don’t cheat us of your contribution. Give us what you’ve got.”

So let’s get that work in progress. Before you know it, the posts are connecting around a theme you can stitch together into some larger work; the poems you are posting could become a self-published book and in any case, you realise, more people are reading them this way; you find you are writing a novel or a memoir through what you post; getting your photos up there makes you start thinking in images again; you find a  reason to write and that breaks the hiatus of many years; you find a business idea developing from the responses coming back to you; you create a creative course to get people writing or moving through something. Suddenly you are moving, not frozen.

So what are you considering starting? And what happens if you don’t?

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The value of howling into the wind

May 23, 2010

Right now, writing here feels like ‘howling into the wind’ to use a phrase from Joanna Penn from a recent podcast interview on The Creative Penn. Joanna describes how she felt in the early days of writing her blog – writing away, thinking and constructing but actually being read by so few. You write as if your life depends on it but laugh to yourself at the fact that virtually no one is reading. Joanna talks about what happened from there, how her audience grew and the journey of growing that message and audience into the successful space that it is now.

So what is the value of ‘howling into the wind’? Perhaps hearing your own voice reflected back in the waves of air. Perhaps knowing that just sending out these words and images into the atmosphere might lead to something larger like a future you have dreamed about. Perhaps it is about hoping you can in some way impact positively on others as others have impacted on you.

More than anything it is about ‘doing your art’, moving from being a little frozen to getting out there, just starting, beginning to move.

I recently rediscovered these words from ‘Women Who Run With the Wolves’ by Clarissa Pinkola Estes. I had them typed up and taped them inside an older folder of writing to keep me motivated:

‘So what is the solution? Do as the duckling does. Go ahead, struggle through it. Pick up the pen already and put it to the page and stop whining. Write. Pick up the brush and be mean to yourself for a change, paint. Dancers, put on the loose chemise, tie the ribbons in your hair, at your waist or on your ankles and tell the body to take it from there. Dance. Actress, playwright, poet, musician or any other. Generally, just stop talking. Don’t say one more word unless you’re a singer. Shut yourself in a room with a ceiling or in a clearing under the sky. Do your art. Generally, a thing cannot freeze if it is moving. So move. Keep moving.’

So ‘howling into the wind’ is about running with the wolves and the ‘longing for the wild’ as Estes calls it. It’s about stoking the creative fire with winds that might feel a bit uncomfortable and cold at first. It’s about the strength that might come from tuning into such intuitive sources, making connections and finding that to which we belong.

And through whatever means – writing, photography, a business idea, a new perspective, the shape of a poem – forming something unique that is your voice that others may also tune into, relate to and take something away from. So let’s keep howling.

Feature image by Whitewolf Productions, via Flickr, used under a Creative Commons license.

howling into the wind

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