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Our heart always knows the way – a wholehearted story

July 30, 2017

heart

Frustrated in the quest to find work and a life you love? Don’t despair, the greatest truth is that our heart always knows the way. 

This is the first guest post in our Wholehearted Stories series on Quiet Writing. I invited readers to consider submitting a guest post on their wholehearted story. You can read more here.  

In essence, Quiet Writing celebrates wholehearted living and writing, career and creativity and I am keen for a community of voices to be telling their story of what wholehearted living means here in this space. In this way, we can all feel connected on our various journeys and not feel so alone. Whilst there will always be unique differences, there are commonalities that we can all learn from and share to support each other.

I am thrilled to have my dear friend, Katherine Bell, as the first ‘Wholehearted Stories’ contributor. Katherine and I met through an online course, The Introvert Effect, created by Katherine Mackenzie-Smith. When I talked on a group phone call about my planned transition to a more wholehearted way of life, Katherine reached out to me afterwards, sensing a connection in our stories. We have been firm and amazingly synchronistically connected friends ever since, supporting each other and sharing a love of books and especially of David Whyte, who features in this story.

I hope you enjoy Katherine’s story, poem and exquisite photography. My sincere thanks to Katherine for her beautiful contribution to Quiet Writing.

Starting out on my journey towards wholehearted life and work  

This is not a romantic story. Certainly, others found it inspiring to start with—a quest towards a better life is something we can all relate to … for a time. But when the initial 12 months I had planned (what was I thinking?) grew into 18, then 24 … then five years and there were no tangibles like an impressive job title, a book, or the usual manifestations we take as evidence that someone has a successful life … well, cue crickets chirping and tumbleweed rolling down the deserted street.  

Not long after my 39th birthday, with my life in a dire mess, I checked myself into a psychologist. I naively approached this as I would manage a work project, and estimated that I would be fixed before I turned 40. I was about to learn that inner work—deep inner work—is nowhere near linear. My biggest challenge was that I didn’t know what I wanted, despite recognising that I was desperately unhappy. I also felt that something was wrong with me, as the kind of prescribed life my partner of nearly 20 years had envisaged for us—and that everybody else seemed to want as well—was just not me. I felt like the Ugly Duckling, I simply didn’t belong.  

A beacon of hope 

It wasn’t until a friend passed a copy of David Whyte’s ‘Crossing the Unknown Sea—Work as a Pilgrimage of Identity to me around the same time that I recognised a voice like my own for the first time, and dared to hope that there was another way for work, relationship, life— a way that fit with me, instead of my feeble attempts to contort in ever-increasingly painful ways to fit with it. I can vividly recall the night I started to read it. I was in the bathtub (my Fortress of Solitude in those days) again feeling like the Ugly Duckling. But this time, the experience was akin to the duckling’s heart both leaping and aching when he looked up to see beautiful swans—his own kind—flying overhead. I recognised in David Whyte a kindred other who lived at depth, even though I did not quite know what living at depth was at that time.  

heart

This simple, profound recognition was enough to start me on the journey of my own unknown sea. Here, finally, was someone else who had crossed that sea, I recognised his voice, and I knew I belonged in some way to that pilgrimage. Fast forward to the present day, and with a small, knowing smile I say that the recognition was of my own voice. The best gift of David Whyte’s words have not been their beauty, nor their inspiration (as profound as both are) but the validity, the permission, they gave to my own words, my own voice. There was nothing wrong with me after all, I was not a duckling, I was a swan. I had simply been surrounded with voices that did not recognise mine.  

With that first heart-leap of recognition, and the simple permission given by the Wonderful Mr Whyte, I took the plunge into the unknown sea towards work, life and relationship that was wholehearted. I tackled the problem in the only way I knew how to at the time, which was to leave my job, home, partner and city in the same week (not recommended) and take flight to the other side of the world for six weeks. My entire known life was in storage, ready to be dealt with when I got back.  

In this way I jumped into my own metaphorical boat with not a clue (thankfully) of the squally territory that lay ahead, or that I would feel at sea for several years. I say “feel at sea” as in reality we are never truly lost, or alone, it just feels that way, and part of our quest is to be able to endure the inevitable crises of discomfort, discouragement, or despair. It’s a riding out of the storm, knowing that it will eventually pass.  

Allowing our heart direction to emerge 

I think the trip was the only part of the plan that made sense, in hindsight. It gave me the relief and spaciousness I needed—both literally, staying in remote parts of the English countryside and roaming open fields, mountains, and wild clifftops in the rain, and metaphorically, in starting to thaw out from what had been a fraught existence, both at work and home, for long years at a stretch. I felt like I was emerging from a coma and needing to learn what was real again. This was in the smallest of ways to begin with, an almost imperceptible turning of my head and simple noticing of what elicited a positive reaction in me, like surprise at hearing the unfamiliar sound of my own laugh.    

heart

It was a significant shock when I returned to Australia without a home, job, partner or any structure to my life and needed to take the first breath of my new life. I moved to a regional town near my family, embarking on a series of experiments to find work that worked for me. Work, for me, is of central importance, and my experiences with it not working have been as painful as any of my life’s challenges. David Whyte elevates work to the status of a marriage in his book “The Three Marriages: Reimagining Work, Self and Relationship” and I agree with it being given this priority. This is especially so for those who are creative types—there is no divorcing ourselves from our work, they are one and the same entity.  

In Crossing the Unknown Sea, David Whyte talks of “having a firm persuasion in our work” (p.5) and that has certainly been the crux of my quest, taking precedence over relationship for a time. I have grappled with finding work that is heartfelt and resonant, and what has looked like foolishness to others from a financial perspective has been a dogged determination to settle for nothing less. I certainly miss elements of my former lifestyle, but in resolutely setting my sail to my own course I can say I am at peace and happy.  

My golden rule is that as mine is the only head to hit my pillow each night, I’m best qualified to set that sail, as long as I am staying aligned to what is true for me. It has, however, been stressful in needing to hold out far longer than I envisaged, yet the alternative—the life I used to live and the work I used to do—is no more an option for me as running a race if I no longer had legs. As Whyte’s friend Brother David said to him “You are only half here, and half here will kill you after a while. You need something to which you can give your full powers” (p.132).  

Discovering my work  

The only idea I had about what my right kind of work looked like was that I wanted to write. Knowing that I wasn’t interested in writing fiction was at least a start. I stumbled through exploring writerly activities such as creating a blog, writing poetry, entering writing competitions, and applying for a writing scholarship. However, apart from the cathartic blog and poetry, it felt as though I was contorting myself again into a shape that wasn’t quite right. Thankfully, as Rumi says, “what you seek is seeking you”, and I soon had an opportunity presented to write for a research organisation, work which I found I truly loved. All my clumsy attempts and experiments had in fact been my apprenticeship to the kind of writing I love. In revisiting an earlier journal I discovered the prophetic words:  

“My work will be a melange of my heart – not just one thing, it will be a blend of all the things that make my heart glad: writing, thinking, researching; the alchemy of ideas”. 

Here was evidence that my heart had known all along, I had just not been in a place to hear it, let alone respond to it. 

heart

The benefit of hindsight 

Hindsight shows us that all experiences—even the most painful—prepare us for our own particular work. Some experiences are definitive (like David Whyte’s influence on me, foundational stones to the structure of the work which only we can do) and some are transitional, forming the scaffolding we need to emerge ever so slowly until ready to stand and reveal our work to the world.    

If I could rewind the clock and give myself some advice to make the journey easier, it would centre on the following. 

  • There is no timeframe in matters of the heart, especially when needing to find a way back to life after being metaphorically dead as I was. It will take as long as it will take, even if you are just a little lost. Don’t try to plan and control it; it will only cause additional pain. I think one of the most important things is that any emotional or psychic recovery needs to be given the same credence as a physical injury. I have had to constantly adjust my expectations of the timeframe of recovery, likening it to having every bone, muscle, ligament broken and undergoing extensive rehabilitation, and learning to live again being more than a little changed.    
  • Be kind and patient … with yourself. I wish I had cut myself some slack along the way; I was really doing the best I knew how to at any given point, as feeble as that was. 
  • The truth is not that everything will be OK, it’s that it already is. Time and time again I have had to remind myself “all is well”. Even in the darkest moments, the truth is that everything is working for us when we are aligned to our hearts, not against us.   
  • It’s not a journey with a destination. I’m still not there, and I don’t think I ever will be. As David Whyte says, it’s a ‘continuing conversation’. The important thing is that we keep showing up, open-hearted, looking for the Hansel and Gretel trail that leads us ever homewards, crumbs as clues left behind by an engaged and benevolent Hand (whether we understand that to be our God, our Higher Self, or whatever language we use to give meaning and shape to our spirituality). 

From the time I first recognised David Whyte’s voice (and ultimately my own) in the bath all those years ago to now, I trust my little boat, metaphor for my heart, to carry me ever onwards. I have nothing to fear while I’m aligned to it. My only request is that after several years at stormy sea, I’m soon taken to safe harbour for a little respite, perhaps where I can feel the warmth of the sun of friendship and community on my face. Then, as it is now, all will be well.  

Postscript 

This reflective journey has led me back to a poem that I first started to write as I walked the clifftops in England all those years ago, with my own unknown sea stretched before me. Whilst not originally written with the intention of sharing it, it seems to fit so beautifully into my story that I offer it here.  

After

It turns out (in the end) that I am far
stronger than we all thought.

Surprisingly,
I chose to be brave at morning’s first light,
however grey and dim it appeared then.

Turning towards the east
to walk ever closer to the Ocean of Who Knows What,
throwing my face and caution
to the biting wind of my vulnerability,
stripped of all pretence and belief
for better, or for worse:
Strengthened
or at last, Ruined.

In angry defiance
—or quiet acceptance?—
I signed up, took the gamble,
declaring “See here?
This, this is my Mark,
my Consent,
my Line In The Sand
of how I will live and be in this world.
And if I die at this brutal hand
well …
at least I felt the sharp slap and bite of the wind,
the driving rain that hurt my eyes and became my tears,
and the aching weight of loss
after loss
—how will I bear it?—
but knowing at last,
This was Me
I had reached Land’s End,
And I refused to go into hiding again.

Standing on the cliff buffeted, yet
Resolute, watching
the cruel sea
Relentless against captive rocks,
I thought “Poor things, they’re just like me…
—pounded and near-drowned”.

Then pounded and near-drowned some more.

In years to come I will know that in
choosing to live
at risk of the Open Sea
I breathed
walked
and dreamed
Awake
Alive
in this beautiful and vicious world
that sometimes despised,
sometimes loved me
(I never knew which it was).

crossing the unknown sea

Key book companions along the way

The Enchanted April, by Elizabeth von Arnim

The Language of Letting Go, by Melody Beattie

Entering the Castle: An inner path to your soul, by Caroline Myss

In the Meantime, by Iyanla Vanzant

Crossing the Unknown Sea, by David Whyte

In Tune with the Infinite, by Ralph Waldo Trine

Women who Run with the Wolves, by Clarissa Pinkola Estes

To Live Again, by Catherine Marshall

The God of Surprises, by Gerard W. Hughes

The Courage to be Disliked, by Ichiro Kishimi and Fumitake Koga

About Katherine Bell 


Katherine Bell
Before turning to the quieter world of writing, editing and research, Katherine worked for 25 years in the corporate sector across multiple industries in senior administrative and strategic project roles. Making a tree-change from Sydney to regional NSW several years ago, Katherine is passionate about promoting research that translates into real-life outcomes. She is currently working on forming an alliance with other corporate escapees who share her passion for making the workplace more humane and sustainable, particularly for those who are introverted or highly sensitive. Co-founder of  The Edit Bureau she also assists academics in Australia and overseas with getting their work published.

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creativity inspiration & influence intuition

Intuition, writing and work: eight ways intuition can guide your creativity

May 5, 2017

“And you can keep flexing your intuition (because it’s like a muscle) to feel into the next right step.”

Danielle LaPorte, White Hot Truth

intuition

“Standing all this while
Makes me realise I am alive
And I won’t settle.”

Vera Blue, Settle

Intuitive night thoughts lead the way

I wake in the night with the words of the song, Settle, running through my head. It’s true, it’s hard to settle into a rhythm now with so much creativity and opportunity running around my head. And now these thoughts… I hop up to note them down as I know I won’t remember them in the morning.

The night thoughts connect up and there’s a triangle with three threads spinning a story about:

  1. the lyrics of the song, Settle, linking to my swimming in the ocean, feeling alive amongst fish
  2. the novel I’m reading ‘To the Sea’, by Christine Dibley about women and daughters, ancestry and relationships to the sea, featuring swimming as a central metaphor; and
  3. movement, yoga and that sense of keeping moving right now amidst a touch of fog and uncertainty but with so many quiet lights of myself shining.

It’s interesting how things come together, in your life and in your mind. The synchronicity of choice, the noticing of this, the connections that you make, the influences that you choose and attract. If you’re paying attention, attuning to the energy and the signs, things come together, messages and a way of working with them emerge in your life.

The guiding hand of intuition

Intuition is a guiding force for me. It’s a dominant MBTI function and gift I’m learning to work with more. It’s one of my five Core Desired Feelings, defined as a result of working through The Desire Map.

It used to be just a vague sort of gut feeling, especially coming in a work context when something just didn’t feel right. But I know now it’s so much deeper. It’s how I want to feel as I work and write. I want it to be the engine of my writing, the heartbeat of my days’ rhythm, the light that guides me one step at a time, knowing the overall destination but with the journey itself as the real discovery.

It’s about feeling it as I go instead of thinking it all the time. Softening into it, being receptive and independent, organised but flexible, influenced by others but allowing my authentic voice and loves to combine and come through, clear and shining.

It’s knowing that my unique collation of experiences and expression may be exactly the ones to strike a light in another and trusting that. The learning I uncover can be shared to help others strike up their own special connections and spark of genius.

Knowing what to do next

I’m finding that I’m writing and working this way more now. For example, I’m finding that I’m reaching out to read what is right for me when I need it.  The novel I’m currently reading, ‘To the Sea’, speaks of women, daughters, ancestry, movement and swimming as all these areas align to assume pivotal places in my life.

‘The Butterfly Hours’ on transforming memories into memoirs is a library book picked at random and opened recently at random. I find the perfect words about fiction and memoir writing there that have helped me delineate more clearly what I want to write and how.

Sure I chose these books because they are my interests but it’s about tuning into what I need to know or experience right now, sometimes let it work unknowingly.

It’s also about what I’m choosing to listen to and when to listen, to songs for example, and which ones, which random playlists and what they ignite, the words that run like a stream in the night fuelling creative thoughts.

It’s the podcasts or audiobooks I choose to listen to. Just yesterday, two podcasts acted as perfect counterpoints around the two themes of intuitive writing and intuitive working.

The first from Caroline Donahue’s The Secret Library Podcast was a conversation with Madelyn Kent about sense writing and building connection with body and movement as a way of opening up possibilities in writing. It was about being in movement in the body as a way of connecting with flow in writing and relaxing into new awareness. Deep and rich, I let its insightful messages wash over me as I listened.

The second from Sara Tasker’s Hashtag Authentic was a fabulous chat with Jen Carrington about creating the ideal work week. They talk honestly about being entrepreneurial breadwinners and how to create a work week that honours both self-care and productivity. They get work done in their own ways, following their body’s messages and their spirit and not buying into traditional work structures like measuring effort in hours spent. I felt so refreshed from listening to these women with their distinctive northern English accents talking so comfortably about breaking new ground and not settling for others’ definitions of how to work. They both create outstanding content and entrepreneurial work that supports others to shine from working intuitively with sense and feeling.

Intuition as a guide: Eight ways to work it

So it seems intuition can be a quiet guide in so many ways if we listen to its magic. Here are eight ways to work with intuition that I have discovered are working for me and some questions to prompt you into how to put it into practice. Granted there might be some thinking and sensing work in there too. But it’s not a brick wall, it’s a continuum, so shift to letting your intuition do the talking for a while and see what happens:

  1. What to read next – What do you need to read now – is it fiction, non-fiction or a combination of both? What does your heart need – to rest with a book, to learn or to be inspired? What do you need to know? What do you want to feel? Are you limiting to yourself to just one book when you could be more spontaneous and read more randomly, picking up pieces of wisdom that way?
  2. What to listen to and when – Do you need music right now or to hear the spoken work like a podcast? What are you tuning into? What do you need to be learning? What random playlist, podcast or subject is calling you or popping up consistently for your attention?
  3. Which project to work on next – Of all the projects waving at you for your attention, which one can you work on now with ease and which will be harder? Which one feels right? Even though one might be harder, does that need to be done first even though you are not sure why?
  4. When to move and how – Which form of physical exercise will get you moving in the right way to free you up? What environment will ignite your feelings and inspire you? Is it walking to the local cafe, being by the beach, wandering through the bush or walking around the city? Is it yoga, walking, running or cycling? What type of exercise might free up your writing eg free-writing, making a list or colouring in first?
  5. How to structure your week to best reach your goals – Whether you have a day job or are self-employed, how can you manage your work week best to manage self-care and reach your goals? How can it be both enjoyable and productive? Is there anything you can do to find the creative space you need? Which days are best for which projects? How can you reach your goals in ways that work for you?
  6. What rhythms can you bring into your life to support flow – When do you work best and how can you take advantage of that? How can exercise and movement help establish a rhythm you can take into other areas of your life? What time of day do you work best and how can you make the most of that? What about working with the moon and other cycles to facilitate a balance between receptivity and action?
  7. What intuitive tools do you choose to help guide you Which tarot or oracle decks or cards are speaking to you? What about lunar cycles, astrology, spirit guides or quotations that inspire you? How are you working with them and how can you harness their power more effectively?
  8. Which rich combination of influences will come together to make you shine your most radiant light to help others along the way? Take the time to dream, journal, mind-map, brainstorm, draw, draft, blog, write a poem, to bring together connections for new insights and share them with others to inspire them.

Intuition, discovery and seeing anew

So taking these learnings and reflections, I weave a new narrative through an intuitive and creative work week.

Rebecca Campbell, in Rise, Sister, Rise, talks of needing to learn what her subtle mental, emotional and spiritual bodies needed:

…I have discovered that my subtle bodies most yearn for meaningful, flowing, physical movement where I can move and express myself freely. I find that my creations actually depend on it. As I allow my body to release and fluidly move it’s as if I am both strengthening my ability to be moved by my soul and unlocking wisdom within my spiritual body.

 

intuition

That is the case for me also and I feel the flow of: my arms stroking the water steadily and stronger; my breath acting as an anchor as I stretch into yin yoga moves; and words arriving at night and then shaping them into a rough draft in the daytime.

I feel the rhythm of what a new work week could look and feel like – how to balance my creative desires and serve others in the best way I can whilst also managing self-care and the all important care of special others.

I feel, I feel, I feel the rhythm of the sea, of movement, of words on a page calling me to a new sense of home and being settled.

It’s also about learning to balance this intuitive flow and be practical and of service:

  • writing in a way that reflects and expresses me but is helping and encouraging for others, not just self-focused;
  • managing my self-care so I can support the care of others and not fall over in the process; and
  • honouring the influence of others in informing and finding my own unique, creative path.

It’s not about abandoning goals. We need a roadmap, we need to set goals so we know our overall direction and the three most important things to do this quarter, this week to help us get there. But knowing we can be flexible in our creativity, not working so slavishly, can be immensely freeing.

As Danielle LaPorte says in ‘Wisdom is Paradoxical‘:

Have a vision and…Go with the flow.

The Knight of Wands card arrived this morning as my daily weather report and he captures the feeling perfectly. Via the Art of Life Tarot, this Knight reminds us:

“The real voyage of discovery lies not in finding new landscapes but in having new eyes.”

intuitive writing

 

Thought Pieces and key references:

Books:
To the Sea – Christine Dibley
The Butterfly Hours: transforming memories into memoir – Patty Dann
An Abundant Life: Flourishing with the cycles of the moon, Dr Ezzie Spencer

Songs influencing post:
Settle – Vera Blue
Awake Me – Rosie Carney
Mercy – Duffy (this was for the movement part!)

Podcasts:
The Secret Library Podcast with Caroline Donahue (@thebookdr): #48 Madelyn Kent Unlocks Writers block within the Body, 27 April 2017
Hashtag Authentic with Sara Tasker (@meandorla): Podcast 14 Creating your ideal working week, with Jen Carrington, 3 May 2017

Blog posts:
The problem with consistency (aka the beautiful wabi sabiness of it all) – The Mojo Lab with Victoria Smith
The 3X3 Project – Week 10 – Crone Confidence with Diana Frajman

Feature image from Shutterstock.com and used with permission and thanks.

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If you enjoyed this post, please share via your preferred social media channel – links are below.

You might also enjoy:

36 Books that Shaped my Story: Reading as Creative Influence

Overwhelm, intuition and thinking

Music, intuition and the messages of songs

Healing with words of gold: The Empress, Kintsugi and alchemy

The Empress: creativity, vision and patience

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