writing Archives

Being ‘Fierce on the Page’ – a book review

October 9, 2016

‘Fierce on the Page: Become the writer you were meant to be and succeed on your own terms’ by Sage Cohen, Writer’s Digest Books

I first came across Sage Cohen through her book Writing the Life Poetic which focuses on building poetic voice and putting poetry back into our everyday lives. I also had the opportunity of working on my poetry through Sage’s online classes a few years back. From these experiences, I come to Sage’s works on writing with high expectations of both a pleasurable reading experience and wise, practical advice.

And I am never disappointed. ‘Fierce on the Page’ is a rare and rich read, structured as a series of 75 reflective essays that offer strategies, perspectives and practices to encourage ferocity in writing and in life.

Sage defines ferocity and the fierce writer in her introduction:

The fierce writer ensures that the time and energy she invests in her craft pays dividends of insight and evolution. The fierce writer discovers how to come into his alignment with his authority, leverage his interests, and honour his rhythms, to become the truest instrument of his craft.

From page one of the first essay, ‘You Are Your Best Expert’, I was lulled by Sage’s reassuring voice telling me stories and building on these to make connections. The essays provide a path to navigate the way into writing and into progressing through many aspects of its craft and life.

Each contemplative essay is so thought-provoking. My copy is now full of underlining, connections and possible creations sparked by the reading experience. Sage’s practical business writing background is also woven through the pages. There is a blend of wisdom honed from writing experience of all kinds, along with a grounded sense of what works to bring forward new possibilities and how productivity can be enhanced.

Some of the key strengths of ‘Fierce on the Page’ for me are:

Its associative approach: There is an energy of association underlying each essay. An anecdote or story is told or an experience recounted. These reflections then form the basis of the essay. It’s an evocative reading experience as you are folded into each idea and its applications evolve. This associative approach lends a wise felt experience that makes it easy to engage on a very deep level.
The structure of each essay: Each essay builds from its opening to a realisation or discovery and then a practical application. From there, we are given suggested strategies to apply and questions to dive into to enable us to ‘be fierce’ in our writing endeavours. Woven into this are quotes and references from other creatives that provide prompts and shifts to our perspective.
The poetic language of discovery: As each essay reaches moments where the connections and realisations are crystallised, the language likewise reaches a quiet crescendo of feeling. The learning is expressed sensitively and enacted directly, as with the language of poetry. The images and associations created from this narrative approach make the reading experience lived and heartfelt.

For example, in ‘Write Your Manifesto’, essay #55:

I have come to accept that the writing life is expansive enough to hold my many refractions, and that these add up to the whole of what I have to give.”

In ‘A Bug’s Life, A Writer’s Life’, essay #58:

When you are at an impasse of transition, and your next steps are unclear, follow the words. Trust the words. Trust the cliffs, the canyons, the face flowers. Trust your disorientation and your sense of direction. Trust what you find and don’t find. The shadow gives shape to light. These are your stories. The dance of interdependence is a hum of words.

In ‘Get to the Place of Grace’, essay #63:

Whatever it means to you in your life and your writing, be on the lookout for that lift-off in your words and that landing in your being. Hone your attention to the place of grace where you can feel, know and trust that you and your piece of writing have completed your journey.

Sage’s reminds us that: ‘You have everything you need—and you are everything you need—to do the writing you want to do’. These words provide the gentle encouragement many of us need to begin, to continue or to start up where we left off.

I encourage you to seek out the wisdom and practicality of ‘Fierce on the Page’ as a support in engaging in quiet, resilient writing and in succeeding in where you want to be in your writing. Sage’s books are always on my desk as talismans of encouragement and practice. This special book will stay close at hand, gaining more comments and underlining over the years, as I seek to apply its messages and be fierce with my own writing and life.

Thought pieces:

You can visit Sage Cohen’s Fierce on the Page website for more information including a community page to share thoughts from the practical exercises in the book.

The interview Mantu Joshi on Writing and Living Fierce is an inspiring example and shows the power and outcomes that can come from living out fierce and committed writing strategies. In this case, it resulted in a book on resilient parenting, written two hours a week over two years.

Other books on writing by Sage Cohen that I recommend are:

Writing the Life Poetic – an invitation to read and write poetry; fabulous for re-engaging with the spirit of poetry in your life.

The Productive Writer – practical strategies and thought processes to increase your productivity and move from ideas to action and outcomes in your writing life. I’ve written a book review of The Productive Writer which you can find here.

7 Comments

creativity writing

The subtle art of not writing

September 27, 2016

It’s a subtle art, the art of not writing. I have not written now through many years, filling and part-filling many journals and notebooks, drafting hundreds of poems and compiling numerous blog posts over more than six years. I’ve not written in the workplace for over 30 years – including writing for and editing publications, writing a handbook of research and influencing many business outcomes with my writing skills. I’ve not written my way to publication in a few cases, so much so that the Australian National Library, a number of literary journals and the AustLit database of Australian literature know about me. And there’s so much not writing paraphernalia around me here as I sit, that I can hardly move.

It seems I am a master of not writing, spinning a myth about myself over the years that to this day can see me looking achingly at writing texts and courses as the cure to this ailment. It’s true, their balms and solutions may help me to move through this impasse. But to allow them to make me feel that I am a complete novice in this art and space, with no track record or prior experience, is all my own work.

It seems that just as I have tricked myself into the subtle art of not writing, I could just as easily trick myself into the art of writing. They seem to be transferable, almost the same skills, that could be shifted in focus. Perhaps I need to chunk it more, break it down into parts I can think of as projects, to make it easier to manage. Calling one focus something like ‘The Poetry Project’ would help make the work all the more tangible and achievable. Now I come to think of it, this blog is a little like that.

With a wry smile and a sense of humour, and by some gentle stealth, I could set a time-limited practice and tease a set number of pages or words from each day to get started and call it part of the subtle art of not writing.

I could get the best poems I have written over the years and put them into a small volume that is not really a publication, but just a collection of pieces of my heart in language I have shaped, uniquely my voice. I could craft these small multi-faceted jewels over time and work out how they can best be worn and integrated into a personal style I can step out in.

And I could turn this desire to write into something real that heartens each day, a deft trick of time that makes the minutes count. I could further inscribe the journey already started through miles of lines of ink into artefacts that might light the way ahead, little by little, much as novelist E L Doctorow reminds us:

Writing is like driving at night in the fog. You can only see as far as your headlights, but you can make the whole trip that way.

That delicious journey, and then actually sitting down to (not) write.

Thought pieces:

Writing this piece made me think a whole raft of things: resistance, getting out of our own way, making things manageable, shifting our contexts, small tweaks, tricking ourselves, recognising our body of work over time and self-belief.

In related thoughts and connections:

Courteney E Martin’s article, Writing the Stepping Stone: why you haven’t written your book yet, has some excellent practical suggestions for getting your book written including: recognising that it might not actually be a book but something else; dealing with distractions such as the internet; and realising that the work you are doing actually might be a stepping stone. I love these final words about, yes, getting out of our own way:

If you have a book inside of you dying to come out, close this browser. Close this computer, or turn off this phone. Sit down with a piece of paper and a pen and write a letter to someone you know personally about the topic. The directness of the form will get you out of your own way and on your way to doing what you are meant to do.

How to Write a Novel in Thirty Minutes per day has many strategies for: getting into the habit of writing; controlling or removing interferences and distractions like the internet (including ‘put your mobile on aeroplane mode’ – there’s a thought!); building accountability; and promoting good practice planning, productivity and resilience. It’s a great roadmap for ‘driving at night in the fog’.

Sage Cohen in the wonderful Fierce on the Page (book review coming up here soon!) has a few tips on little shifts in attitude for overcoming resistance. In the chapter, ‘Change your context to regain your appetite’. Sage prompts us:

What if you found a new way to approach an old struggle or stuck place? How could you come at it sideways to find a new perspective? What if you were to make a small shift in attitude or practice – and then another – until you felt a bit more space or ease or fun?

And so many of Elizabeth’s Gilbert’s Magic Lessons podcast interviews touch on this theme of getting out of our own way with our creative ventures, realising we are actually already doing the work, not being so hard on ourselves and just getting on with it. Dive into any of these podcast pleasures but I have a special soft spot for the one with poets Cecilia and Mark Nepo, Who Gets to Decide Whether You’re a Legitimate Artist? It’s about who gets to decide who is a good poet and the value and legacy of poetry. Listening to this one was life changing for me!

Share your thought pieces:

I’d love to hear how you are breaking through any resistance with tricks or shifts in attitude. How are you getting out of your own way or valuing your creative work?

6 Comments

creativity writing

Step by step: a narrative

September 24, 2016

I’m at the beach at my favourite spot looking out from the shade to the bluest and clearest of spring September days. It’s Monday, a day I’m normally at work but I recently started a job share arrangement. This means I work three days a week to free me up to work creatively, get some balance, be me and have ‘an actual life’ as my friend Will described it so accurately.

On this day that I’m writing, it’s the first day of this new sense of freedom and the waves are lapping quite loudly and incessantly, a restlessness and churning that I feel matched with. As I’ve shifted to this transition time, I’ve had a chest infection and asthma and I’ve been on steroids to open up my airways. The excitement of this time of transition and its opportunities, along with the medication, has made for some idea-filled attempts at sleep.

The ideas are so deep and complex and I keep a notebook beside the bed at night. I want to capture these thoughts; they are defining, connective and empowering. I know that if I let them float into sleep and try to remember their unique associations in the morning, it won’t happen. I need to capture them like precious butterflies and hold them gently with all their beauty before they fly away. They are the gateway to so much, gifts from another place, and to contemplate them, weave them and enact them is the richest of experiences. I work to coalesce them into a body of work I can take forward and lead to support and enrich my life and the lives of others. The dots are connecting and the planets are aligning and calling.

And to write. Writing here – the coolness of the sand against my feet, the cold brick wall behind my back – is like meditation. It’s my life’s breath over the years that I need to breathe deeper into and exhale through, finding and expressing the voice that is uniquely mine. I’m breathing so deeply now as my airwaves clear. My senses are coming alive: I’m seeing so sharply, noticing; I catch the scent of salt and jasmine; and the waves are crashing like loud applause.

My beach walks always seem to have some form of narrative, thoughts shaping into a structure as I wander. Today’s is ‘step by step’.

As I walk on the hard sand, I feel the calm of each step, one grounded thing at a time, and the mindfulness of the moment. I’m wary and watchful of the pitfalls and traps as I step: the moss on the tidal rocks that can slip me up; the larger waves that can catch me unawares and wash me down.

I feel a stillness in each step. I’m walking tall, feeling the ground beneath, scanning the terrain and savouring being at home here on the beach and in myself, looking out.

It’s hard to believe it’s here – this opened out opportunity like this clear blue sky and all this water reaching out to the horizon. Everything is so sharp and clear though that it must be real and I’m breathing in its quiet strength, one breath at a time, one grounded step at a time.

Thought pieces:

My mind is an associative one so I as I post, I plan to add some thought pieces, some creative connections, influences and resources.

For this post, ‘Step by Step: a narrative’, I offer the following thought pieces:

Beach walks as narratives:

I’ve written before about beach walks as narratives; here is a poem about that in a previous post, Poetry into the Light. There is nothing like walking on the beach to restore your mind and soul, ground you and help make connections. For me, there is something like a narrative that builds as I walk and I intend to capture my narratives more consciously as I move through this time.

Tarot card for the day and the times: Nine of Cups

The card that I drew on the first day of being at home at the start of these new work arrangements was the Nine of Cups. It’s a card I’ve also drawn again since so clearly a card for the times.

The above Nine of Cups image is from the Sakki Sakki Tarot Deck.

And the message?

From Rachel Pollack’s Seventy Eight Degrees of Wisdom:

At times, especially after troubles or a period of long, hard work, nothing can serve us better than a simple good time.

And Brigit Esselmont (of Biddy Tarot) in The Ultimate Guide to Tarot Card Meanings has chosen this quote by Theodore I Rubin (Psychiatrist and Author) to illustrate the key meaning:

Happiness does not come from doing easy work but from the afterglow of satisfaction that comes from the achievement of a difficult task that demanded our best.

It has certainly been a time of both troubles and hard work for a long while so the pleasure of ‘a simple good time’ and ‘the afterglow of satisfaction’ are especially savoured and sweet.

The book of the moment: ‘The Heart Aroused’ by David Whyte

One of the simple pleasures of being at home during the week is being able to do everyday things like go to the post office. On my first day home, this gorgeous book arrived in the post and I had the pleasure of sitting to open it over a coffee in the local cafe.

I’ve had a number of David Whyte’s books sitting in my ‘thinking about it’ wish list for a while. After connecting with a lovely new friend Katherine recently, she wisely reminded me of David Whyte and how his work is potentially an important piece of this transition time. I ordered his books and these words in the frontispiece of ‘The Heart Aroused’ just sang to me as I opened it, :

Only a few achieve the colossal task of holding together, without being split asunder, the clarity of their vision alongside an ability to take their place in a materialistic world. They are the modern heroes…Artists at least have a form within which they can hold their own conflicting opposites together. But there are some who have no recognised art form to serve this purpose, they are the artists of the living. To my mind these last are the supreme heroes in our soulless society.

Irene Claremont de Castillejo

Here’s to ‘the artists of the living’ and the clarity of their vision.

4 Comments

blogging introversion writing

Welcome to Quiet Writing

September 13, 2016

Hello and welcome to Quiet Writing

I’m so excited to be launching my new look blog. I’ve been preparing, quietly writing and crafting in the background for the longest time and it’s time to dust off this blog, formerly called Transcending, and transition it to reflect my focus for writing and new ventures going forward. It’s the heart of a new life and business and and I hope that you will join me here as I move through this time.

I’ve kept Transcending intact within Quiet Writing with its history over more than six years, as that journey has led to this one, coming out of pain and grief as its core. The spirit of Celebrating the extraordinary power of the ordinary self: strategies for rising above, cutting through and connecting will continue in Quiet Writing as its secret power. So if you have signed up to Transcending previously, I believe you will have transitioned over here to Quiet Writing and I hope you will stay for the next part of the journey.

So what is Quiet Writing about?

It is the summary of my passions and Core Desired Feelings of:

creative, intuitive, flowing, poetic and connected

To explain, I love the words of Monicka Clio Sakki, creator of the Sakki Sakki tarot deck:

“The Artist is still an Artist even behind the closed curtains. Being an Artist is a process, not a state.”

Quiet Writing is about the strength that comes from working steadily and without fanfare in writing and other spheres to create, coalesce, influence and connect. It’s an opportunity to muse and reflect on my core values and the interplay between them. In this, I draw on and connect my various experiences and interests as well as connecting with others who share them.

Many of us have been on what Elizabeth Gilbert calls, in one of her wonderful Magic Lessons, ‘the long runway’ and it’s valuable preparation we need to acknowledge. I want to honour the process as much as the product here; the being, becoming and journey as much as the arrival; the artistry behind the closed curtains and doors.

The Artist card in the Sakki Sakki Tarot deck beautifully symbolises this potential and opportunity:

This is not to say that publication, product and stage are not important and a desirable outcome; but we can focus too much on that external validation and not value our work and its process as it evolves in the present. The act of quiet writing and the solitude to capture ideas and craft them, especially for introverts who so need this, is the space from which so much can flow, connect and be created. The conditions, environment, relationships and influences which enable our creative endeavours to flourish are also crucial shaping factors.

I’m interested especially in the gift of writing and finding our unique voice to articulate our place in the world and express the artistry of everyday life.

This is something I’ve been interested in and committed to in my working and creative life for a long time. One of my earliest blog posts from 2010, ‘The value of howling into the wind” captures this:

So ‘howling into the wind’ is about running with the wolves and the ‘longing for the wild’ as (Clarissa Pinkola) Estes calls it. It’s about stoking the creative fire with winds that might feel a bit uncomfortable and cold at first. It’s about the strength that might come from tuning into such intuitive sources, making connections and finding that to which we belong.

And through whatever means – writing, photography, a business idea, a new perspective, the shape of a poem – forming something unique that is your voice that others may also tune into, relate to and take something away from. So let’s keep howling.

It’s funny how we resonate more deeply with our own themes over time; though sometimes we need to learn to listen to ourselves a little more and honour our enduring passions as they play out.

You can learn more about me here but in short, I gain great heart from reading about the journeys of those who seek and enjoy things like creativity, the gifts of introversion, authenticity and celebrating a reading and writing life, and especially hope to celebrate the lyricism of this in my own journey and in connecting with others on similar journeys.

So what can you expect here at Quiet Writing?

Reflections on my experiences of quiet writing as I negotiate it as a central value
Ideas on the writing process and how to grow, express and value your unique voice
A focus on the strengths of quietness and introversion to cultivate depth and connection
A lot about the art and value of living quietly – creative spaces, our environment, relationships
Conversations about books, reading, influences and podcasts that celebrate this kind of life
Thought pieces on creative connections: tarot, astrology, symbols, Jungian psychology
An exploration of contexts such as leadership, innovation, productivity, planning, strategy and managing introversion in public roles.

And into the future, I am planning much more, with Quiet Writing being the core of a heart centred gathering of like minded people with sharing of influences and connections to bring us all alive.

Key influences:

In starting anew here, I’d like to express gratitude and acknowledge the key influences, connections and reading, writing and personal development projects that have brought me here. They include:

Susannah Conway’s e-courses such as Blogging from the Heart, Journal your Life and The Inside Story and her inspiring journeys on building a heart filled creative life and business that have supported and nurtured my own;
Danielle LaPorte’s everything and especially The Desire Map Core Desired Feelings and Style Statement work, her energy, passion and constant encouragement in creativity;
Joanna Penn’s The Creative Penn and her generous and informative blog, resources and podcasts and for the powerful and inspiring role model of her business and writing life;
Susan Cain’s book, Quiet: the power of introverts in a world that can’t stop talking and The Quiet Revolution which have helped me make sense of so much and which I hope to build on in my own unique way here as a voice empowered by this strength;
Sage Cohen, writing mentor and author, whose books including ‘Writing the Life Poetic‘ and ‘Fierce on the Page‘ are always close at hand and who has helped me get back to writing and to navigate some very difficult times with courage and grace;
And finally, my creative buddy, Victoria Smith, who inspires me always with her mojo, wise words and practical magic and who has been such a valuable support in recent times as my life coach as I navigate new horizons.

I’ve written about my influences previously in this post and you can see that Susannah, Danielle, Joanna and Sage have been strong influences since 2010 so I owe them enduring gratitude for their inspiration and support.

Acknowledgements:

I also want to acknowledge my family and friends at this time of making a new start, for without them and their sacred place in my life, I would not be writing quietly here now:

To my partner Keith, for supporting, enabling me and loving me for who I am. Strong, independent women can make it on their own but it can be lonely; having the support of a strong and independent man who lets me shine is a rare and valued thing. I am lucky enough to have had two such men in my life: my Dad and Keith: Thank you, Keith, for your support and for our ability to negotiate tough times with humour and grace. Our love is deepening as we enter this new time.
To my daughter Caitlin, who embodies the spirit of quiet writing in her beautiful being with her love of language, reading and solitude: It’s the greatest of treasures being your mother and watching you grow into the independent and strong woman that you are. You teach and inspire me constantly in so many quiet ways as you always have and I love you so much.
To my father and mother: My father taught me so much about the strength of quietness without me even realising. No longer with us, I realise now that he was probably an INTJ just like me and my quiet strength, love of books and reading and so much more comes from him. And my beautiful mother who is the bravest person I know, who has loved me and my brother so fiercely and managed the most challenging times with such quiet resilience I can only wonder at. To both: the fiercest of love and gratitude back to you.
To my little brother Martin, who left us so tragically and suddenly by his own hand in 2007. The impetus of much of this blog and its creative work stems from the time of his death. I wish it had come to me another way than through the grief and learning from such terrible loss: The hole in my heart is so large and I try each day to fill it with light. I know you visit in the butterfly spirits that come by so gently and we need to learn to speak of you more. I will keep your spirit alive here, transcending into quiet writing and as I said at your funeral, in the words of ‘Crowded House’:

And if you choose to take that path
I will play you like a shark
And I’ll clutch at your heart
I’ll come flying like a spark to inflame you.

To my family, friends and especially my creative friends in real life and on Instagram and in other special places like the Mojo Lab Inner Circle: linking with you gives me such great heart for the journey and I love our connections each and every day.
And to my ancestry, my lineage, especially the women in my family who scribbled poems that I have found, tucked into recipe books and who signed their names as an X: I am sure you wrote quietly in your heads, hearing your own voice, and who knows what might have been in different circumstances. I thank all those who have gone before me to enable this room of my own to be able to have the voice that I have and the ability to use it. May I use it wisely and with passion and influence to likewise blaze a trail for others.

Thank you for staying to read to this point. I know it’s long but for reasons I don’t fully understand yet, these things need to be said here as a threshold piece in moving forward. The card I drew today, the Six of Swords (shown here from the Sakki Sakki deck) is a clue I think – there is a passage, a crossing over, a heading into and a leaving behind at this time.

So let us begin here.

I look forward to connecting with and learning from you and I encourage you to connect with me.

You can sign up at the top so you receive ‘Quiet Writing‘ posts and information via email. I promise I won’t bombard you and I’ll respect your space. I’ll be aiming for about 1-2 posts a week that I hope will inspire you and this way, you can also keep in touch with new developments here as they unfold.

In the spirit of connecting and commencing here, I’ve opened up about ‘Quiet Writing‘, its background and how it expresses my unique voice. I’d love for you to say hello and tell me in your special two words (or more, given I’ve taken so many!) how you express your creativity and uniqueness in the world.

Let me know your thoughts as I start out anew. I’d love to hear from you so I’m not just howling into the wind, as valuable as it is.

Terri x

19 Comments

inspiration & influence reading notes

Reflections on reading Australian women writers

March 8, 2015

It’s International Women’s Day and I’m sitting here on a sunny Sydney Sunday listening to women’s music on the radio – flipping between Double J and Triple J – and thinking about reading Australian women writers.

It’s my fourth year of participating in the Australian Women Writers’ Challenge and I thought I’d take a few minutes on this IWD to reflect on my experience of reading Australian Women Writers via the challenge.

The challenge is about enjoying, supporting, sharing and promoting Australian women’s writing. If you want to know about the challenge, you can read more about it here: Background to the Challenge. And you can sign up for 2015 here: Sign up to the Challenge.

Started by Elizabeth Lhuede in response to gender imbalance in books reviewed, in reading preferences and choices and in award representation, the challenge has created a groundswell of readers, reviewers, bloggers and tweeters making a conscious choice to read, review, communicate about and celebrate books written by Australian women.

Now in its fourth year, the challenge has resulted in thousands of Australian women writers’ books being read and reviewed and national and international recognition of its quiet achievements.

As the Australian Women Writers’ Challenge blog states:

The Australian Women Writers’ Challenge is part of a world-wide movement to raise awareness of excellent writing by women. It helps readers to challenge the subconscious stereotypes that govern our choice of books to read.

I’ve signed up again in 2015 because it’s now an integral part of my reading choices and I continue to be inspired and excited by Australian women’s writing. I’ve enjoyed diverse reads over 2012 to 2014. There are so many Australian women writers’ works I simply would not have noticed or enjoyed if not for the challenge.

The challenge has made me seek out new Australian women writers, revisit writers I’ve enjoyed and kept my antenna up about their successes, awards and commendations within the circle of women’s writing and beyond.

It’s kept my writing heart alive and is an inspiration as I read; a message that I am also able to write and create, express my stories and find space for my narratives in whatever form. As my heritage, it’s where I can find linkage, possibilities and a springboard for creating. I’ve written about that here and here adding my voice to the space.

In terms of participation, my reading lists are not enormous – around 6 to 7 books a year, but they are steady and growing. I’ve struggled to write the reviews as I would like, but I’ve engaged with the reading and with the AWW community via social media. I’ve contributed that way and made some great online connections with Australian women writers and their readers that have enriched my reading life and beyond.

You can participate to whatever level you can manage and the pleasures and learning are immense for that investment, raising awareness of reading choices and celebrating narratives and works by Australian women and inspiring women to find their voices through reading the voices of others.

It’s no light-weight endeavour. These are to me the voices of creative possibilities and I treasure them.

Here’s my reading list so far:

2012:
Searching for the Secret River: A Writing Memoir – Kate Grenville
Sarah Thornhill – Kate Grenville
When We Have Wings – Claire Corbett
The Light Between Oceans – M L Stedman
Poet’s Cottage – Josephine Pennicott
The Engagement – Chloe Hooper
Disquiet – Julia Leigh

2013:
Fishing for Tigers – Emily Maguire
Sea Hearts – Margo Lanagan
Sydney – Delia Falconer
The Secret Keeper – Kate Morton
The Scrivener’s Tale – Fiona McIntosh
The Longing – Candice Bruce

2014:
Questions of Travel – Michelle de Kretser
Burial Rites – Hannah Kent
Mateship with Birds – Carrie Tiffany
Currawong Manor – Josephine Pennicott
The Fictional Woman – Tara Moss
Claustrophobia – Tracy Ryan
All the Birds, Singing – Evie Wyld

Many of these books were picked up because I was looking for Australian women writers’ books in libraries, shops and online. I possibly would not have read ‘Light Between Oceans’, ‘Poet’s Cottage’, ‘The Longing’ or ‘Claustrophobia’ if not for the challenge and these have become some of my favourite reading experiences of the challenge so far.

I have deliberately read across genres and so if not for the challenge, may not have enjoyed the beautifully science fiction inspired, ‘When We Have Wings’, the Celtic fantasy world of ‘Sea Hearts’ or the weaving medieval narrative of ‘The Scrivener’s Tale’.

I’ve been more aware and more excited when Australian women writers have been nominated, short-listed and won awards for their books and I’ve sought out the books to see why they were celebrated in their achievements, especially ‘Questions of Travel’, ‘Burial Rites’, ‘Mateship with Birds’ and ‘All the Birds, Singing’.

In 2015, I’ve already read the exquisitely tender ‘The Golden Age’ by Joan London and have Annabel Crabb’s ‘The Wife Drought’ lined up to read. I’m keen to read Clare Wright’s ‘The Forgotten Rebels of Eureka’ and also read some writers I haven’t read like Sonya Hartnett, Geraldine Brooks and Liane Moriarty.

It’s been a rich journey and I encourage you on this International Women’s Day to seek out the voices of women writers that excite and sustain you wherever they may be.

2 Comments

blogging

I blog

October 11, 2014

“I blog. Writing about what I’ve been learning about, and my successes as well as my failures, has been an amazing tool for learning. I highly recommend it, even if you never want to be a writer or make a living as a blogger. Don’t worry about growing your audience, but just blog and share it with friends. Why? Because to write a blog post, you have to reflect on your life. You have to push yourself a little and experiment. You are motivated to learn something useful, so you can share it. You dig deeper and find new things you didn’t realize before. You hold yourself accountable for changes, because other people are watching.”

from Leo Babauta, ‘My Most Effective Learning Tools’, Zen Habits

I so wholeheartedly agree. As a blogger of some four or more years now, sometimes you do wonder why you bother. With the big gaps in my blogging patterns, because of managing a full-time job and a long commute, it’s so easy to give up, think of giving up, put my feet up and not blog but I love my blog and what I have created here over time and the act that is blogging.

It’s the ongoing creative heart of my days. Sometimes when it’s hard going at work, I find a few minutes to look at my blog, this almost other self it seems when I am in the work realm. I breathe more easily seeing my creative other self there in words and images on the screen, the pink blossoms shining out.

As Leo Babauta sums up, it’s about learning, about creativity, about reflecting and pushing and making deeper connections. It’s finding the right photograph for the words that you are pulling together. It drives you to take those photographs in the first place and see the world differently.

I had a rare mid-week day off from work recently and took a long walk around my local streets and beaches. I took 150 photographs on that walk of what I saw and experienced. I’m thinking how to pull them into a photo-essay here. The act of thinking about that is making me reflect on my love of where I live, the value of time to recharge, what standing in the water looking out means to me, the therapy of walking and the recharging power of sunshine and solitude.

Leo is so right when he says: “…to write a blog post you have to reflect on your life.”

Whether it’s what it’s like being an introvert, the importance of family history, the struggle to write and publish poetry, the value of what you choose to read and what it means to you, the symbols that keep recurring in your life that you are noticing, learning what sustains you, the travel to new places and what you feel there, thinking about how you can be more productive, the images that inspire you or the act of blogging itself, the act of catching those random thoughts and crafting them into a piece of writing, a blog post that becomes public is a creative, reflective and life-affirming act.

One of my earliest posts, ‘The value of howling into the wind‘, still holds so true in my experience. It’s so easy to fall into focusing on the size of your audience (or the lack of) and feeling like it’s just not reaching very far and has no point. But to blog, to write creatively and publicly is an act that has great personal value of heightening experience, digging, discovering, connecting, tuning in and shaping something that might not otherwise find itself.

Blogging might, and still does for me, feel like howling into the wind but it has its own intrinsic value of strength and uniqueness that just might be of value to others as well:

So ‘howling into the wind’ is about running with the wolves and the ‘longing for the wild’ as Estes calls it. It’s about stoking the creative fire with winds that might feel a bit uncomfortable and cold at first. It’s about the strength that might come from tuning into such intuitive sources, making connections and finding that to which we belong. And through whatever means – writing, photography, a business idea, a new perspective, the shape of a poem – forming something unique that is your voice that others may also tune into, relate to and take something away from. So let’s keep howling.

7 Comments

Older

Newer

writing

Being ‘Fierce on the Page’ – a book review

Thought pieces:

Like this:

The subtle art of not writing

Thought pieces:

Share your thought pieces:

Like this:

Step by step: a narrative

Thought pieces:

Like this: